Tuesday, November 8, 2011

NaNoWriMo Check-in 1

Seven days of writing have passed. How’d I do?

Total word count: 7355

Total I should have if shooting for 1667 a day: 11669

SO--

I present to you four frank reasons I’m not stressing about being behind:

#1:


Kate DiCamillo!

My copy of The Chronicles of Harris Burdick came in, and I have a NEW literary crush to add to my list of crushes. Kate DiCamillo’s contribution to this collection is knock-you-in-the-teeth poignant and hilarious. Love, love, love the Kate! How can one be gloomy when Kate’s “The Third-Floor Bedroom” exists?

#2

I found Elzabeth Fama’s blog last night (and commented on it ;)). She, a published author, speaks candidly of the pros and cons (and many more cons) of our yearly NaNo competition. I love her honesty. Her reminder that our goals this month are sort of ridiculous helps me laughingly accept that I may not make my goals—but the best goal is to write every day.

How haunting is Elizabeth's cover?



#3


I’m writing. This, all by itself, is just lovely. This *poofs* stressful thoughts of more and now and hurry away.


My idea that I’m fleshing out this November I had in February, but I didn’t get to it. I had too many shows to watch. :) Then in April, I heard editor Julie Scheina--one of two editors who brought us Beautiful Creatures--speak at an SCBWI luncheon. She enthusiastically shared one of her new books coming:



Jane, by April Lindner, is a modern retelling of Jane Eyre.


My story idea is a modern retelling, too! So I should have been writing in April! Retells are wanted by editors, she said! But I didn’t go for it. I had too many naps to take. I dipped into it a teensey bit, enough to say I was working on it, but that’s about it.


Our NaNo has me deep in my story each night. I’m loving the characters. I’m loving the places they take me. I’m loving the cashmere sweaters or silver nail polish I find them wearing. I’m writing, and it’s fun.

#4

I am, let's repeat, doing a retelling. This makes my life easier, yes? I'd argue yes, absolutely, it does. In addition to my six pages of notes, I have the hundreds of pages of story to follow. So when Elizabeth Fama points out that October should be novel-planning month and we should create pages of detailed outline with dialogue notes—I mean, I do, right? I have the whole book in front of me. I read it again in October and wrote out character notes and plot points to emphasize, but . . . Come on. I think having an already-written-masterpiece in my hands takes some of stress away. :)

So that's my reports, my friends! How are you doing? Week 2, here we come! :)

Saturday, November 5, 2011

Harris Burdick Lives!


Joy, Joy, so much Joy!

So, for Chris Van Allsburg fans, the nearly unthinkable has happened. New stories have been written for the collection of enigmatic illustrations in his 1984 book, The Mysteries of Harris Burdick.

Just released October 25th is AN AMAZING COLLECTION of 14 stories inspired by the original artwork. The list of contributing authors is stunning. Inside we will find works by

Sherman Alexie
Kate DiCamillo
Cory Doctorow
Stephen King
Lois Lowry
Gregory Maguire
Walter Dean Myers
M. T. Anderson
and more!

Check out this hilarious clip that shows some of the authors and the pictures they chose to write about.

Can you stand it? Are you running to the bookstore now? Wait! While you're there, check to see if Chris Van Allsburg is coming to talk about this new release. Because I discovered he and beautiful M. T. will be in Chicago on November 17. Check it out!

And cross your fingers that my lovely, giving, self-sacrificing, wonderful, gorgeous sister will help me drive down there to see them. (Talented, hilarious, kind, creative, generous sister. . . )

So my friends, whose story are you looking forward to reading the most? Which picture from the original are you the most curious about?

Thursday, November 3, 2011

Author Steven Polansky Speaks at the Academy

I teach at an international academy in Northeast Wisconsin. Parents pop in often; we have moms who visit classes, dads who eat lunch with their daughters . . . imagine my surprise and delight learning that the attentive dad who joins his girl so very often in the cafeteria is Steven Polansky, author of Dating Miss Universe


and


The Bradbury Report


(Aw, man, trouble getting the cover to post . . . )


The first book is a collection of short stories that shows the failings of humanity with humor and grace. The second book is a novel that explores what it means to be human in 2071 when cloning is legal and "Copies" are used only for the aid of the "Original." Totally fascinating! And Steven totally needed to speak to our students! How is it possible we had not plundered all of his knowledge already? What riches to mine! :)


He graciously agreed to join us for an hour this week, kicking off our NaNo WriMo with an honest, in-depth discussion of the business of writing.


My hand flew as he spoke because quite literally every sentence he shared was either poignant or hilarious or ridiculously insightful or tremendously useful to us as writers. Ten pages of scrawl have been typed into four pages of notes. Here, I'd like to reproduce the gems I think will help us as we continue living our dreams as writers.


1. The world of publishing will be so changed in three years that in 2015, our students will know more about it than he. The institutions he knows--agents, editors, and printing companies--are being replaced, rendering all his years' experience in publishing obselete. (How fascinating and sobering is that?)


2. Consider the length of your novel. Length is gift we can offer our readers. He compared a small piece of writing to the passing glance of a beautiful face in mass-transit. One can fall in love in a moment like that, but the love doesn't linger. Contrast that passing glance with a deep, devoted marriage, and one will better comprehend the sense of knowing we experience reading a long novel. He said, leaving a world long lived in (he mentioned Harry Potter as a popular example), "The feeling is you are now transported back into your universe, and it is utterly transformed."


3. The life of a writer can be "the best of lives and the worst of lives." He confessed every morning starts the same. He faces his blank screen, and his inner critic tells him, 'Everything you've done before makes no difference. You have no idea how to do this next scene. You can't do it.' And it's awful. But then writes one sentence, and then two, then four, and he eventually forgets he can't do it


4. He gets his ideas for stories by keeping open. He watches and listens. He refuses to play the market research game, sniffing out what sells. Also, he refuses to keep a notebook to jot ideas into because 1) he'd never look at it, and 2) he'd forget what his notes meant if he did look at it. Instead, he just pays attention to those ideas that don't go away. If an idea stays in his head for three or four weeks, then he knows it's worth taking seriously. (Where do you get your ideas from?)


5. It takes him three years to write a novel. He wished those of us trying to do it in a month the best of luck. :) Rather than blasting through a zero draft as most of us have (or are), he methodically focuses on each chapter, perfecting it and then completely leaving it. He sites Dickens as a model for this style of writing: when a chapter of Dickens' Great Expectations was printed in the paper, thousands of readers made the events in that chapter indelible. Dickens couldn't go back and change things. Steven showed us some eighty pages of notes for one chapter of his current novel. (Again, how fascinating is this? I have six pages of notes! For the whole thing!)


6. He left us with two final thoughts:


If you truly want to be a writer, you should write. And there is no substitute for writing.


If you truly want to be a writer, you should read. And there is no substitue for reading.


My heartfelt thanks to Steven Polansky for sharing his wit and wisdom with us. I very much hope he will join us again soon!


So my friends, what do you think of his writing process? In the dawn of NaNos, is it worth reconsidering our methods?

Tuesday, November 1, 2011

I Dreamed of My NaNo Last Night

So a student came into class declaring, today. “Did you dream of your story, or did you dream of you writing the story?” I asked her.

“Of me writing,” she said.

What happiness! A small sprawl of seventh graders swarmed my classroom floor and wrote this morning. Today we NaNo WriMo-ers are living our dream of writing. What propels us from our ‘such stuffs’ into reality? Or, a stiffer metaphor, what shots of inspiration are you knocking back? Here are a few of mine:

1) A practical, hilarious list of NaNo preps on Lola Sharp’s fantastic blog. Do read it; you’ll be so glad to learn that others stock freezers, warn spouses of hygienic neglect, and of course, avoid all hosting responsibilities.

2) Laini Taylor’s recent post on Creating Your Life. It’s pasted beside my kitchen sink, so I can remind myself not to shrink my dreams while I’m cleaning Clara’s breakfast dishes.

3) My kitchen. This is where the magic will happen. One of Laini's Ladies smiles down amidst a flourish of mirrored butterflies. The script on the side of the purple-winged fairy quotes Rumi: "I am so happy, I cannot be contained by the world. I have blossomed so much, I am the envy of gardens." So mote it be. :)



4) M.T. Anderson’s talk at the National Book Festival last year. Quite a bit of his talk here is the same I heard last month; the Dogtown anecdote is missing because it was new and therefore had, as he said, the vigor of the unrehearsed. Watching this clip, you will be inspired by his glorious romance with geography. Also, you will learn he is hypoglycemic. Terribly, terribly important resource material.


4 1/2) M. T. Anderson's talk on Place from 2007. As mentioned in my earlier post, it’s by my mirror so I can memorize it while coiffing. I’m up to, “I would like to speak of Stow, Massachusetts.”


Okay, now I'm off! I have seven pages to write before my girl gets up in an hour. :) Wish me the best of luck; I'm sending all my best loves and laughs to you. Happiest of writing, Dreamers.






Friday, October 28, 2011

Love and Magic

We partied at school today, students and teachers alike. Of course I had to try to coil a bright blue wig around a couple of paint brushes, wear my new favorite wishbone, and go as Karou. :)


I hardly do her justice, right? But I had to try. I carried my signed copy of Daughter of Smoke and Bone around the halls with me, sharing the good news of brilliant Laini Taylor to all who would hear. :)

Incidentally, the Queen of the Night there, beside me, is Becky, our science teacher. Becky is the smartest person I know. How can she be that adorable AND know everything about everything? It's not fair. Stars? She knows them. Volcanoes? Knows 'em. Fishes? Knows. Physics and spiders and electricity and turtle poop--she knows about it all. I love LOVE working across the hall from her. I hear the weirdest, most disturbing stuff through her open door, especially when gerbils die, and I wouldn't have it any other way.

And since I'm sharing things I love, I have to again say that I love M. T. Anderson. I read this speech he shared while accepting the Boston Globe/Horn Book award for The Astonishing Life of Octavian Nothing, and I've decided I'm going to memorize it. I'm hanging the speech beside my mirror so I can ingest its wisdom and vocabulary while curling my hair. That way, when he comes back, I can say so much more than, "Thank you for coming to Wisconsin." I can say things like "fatuous emotion," "vertiginously rapid," and "vernacular of Americana."

I also read this short piece about his telling a classmate about the color of dinosaurs, and I laughed so hard I cried.

And then I found this lovely, long interview from years ago. I learned others love the M. T., too, and also that he hates the word 'slacks' because it smells of thigh-sweat.

Just passing the good word tonight--there's so much out there to love. Halloween, and amazing coworkers and characters and creators. What are you just loving tonight?

Wednesday, October 26, 2011

M. T. Anderson Charms Sheboygan

Beautiful lake-side Sheboygan hosted its second annual Children’s Book Festival on October 14-16. I drove 90 minutes east on Saturday, October 15, to join 3 dozen teens and adults listen to Matthew Tobin Anderson speak on the mythology of American landscape.

We gathered at 1:00 at Sheboygan’s Mead Public Library. It’s a wide-windowed library, one clearly well-loved and well-funded. The third floor holds the children’s library as well as the Maas Teen Learning Center, a long conference-like room wrapped in aqua and cobalt blue. I studied the orange, green, and maize squares of the carpet while eavesdropping as a volunteer encouraged Anderson to order something to eat between sessions. He responded with gentle embarrassment, asking her often “Really?” and then joking of needing a filet mignon, medium-rare.

His voice, by the way, is as rich as James Spader’s. Think Steff in “Pretty in Pink.” Yet he’s funny and disarming. My god, it’s like he’s Duckie and Steff rolled into one—how’s a girl to learn anything when confronted with such a package? Especially when the package is wearing salmon-colored All Stars.

He began his 30-minute talk, and I did my best to pay attention. I was distracted by visions of my parents NOT having moved from Massachusetts when I was a baby. Then Anderson and I could have been next-door neighbors. We could have biked to the Carnegie-era brick library together and whispered among the pages of Conan the Barbarian, writing fake names in the yellowed check-out cards.

Clearly, I’m crushing on the M. T. Where is his fan page? I looked. Couldn’t find one. Seriously? No one is tracking his tours? What he had for lunch? (It was a ham sandwich.) Come on, cyber world. Start obsessing about quality, will you? There’s quality here, wearing pinkly-orange Chucks.

Okay—back to the conference room. Anderson began with a humble note that he’d had only one connection to Wisconsin—he had met our Butter Queen at a friend’s wedding. “I had expected her to be a greasier, more gelatinous creature,” he quipped, “but she was quite a lovely person.”

Landscape was his topic—our own rugged, revised American landscape. His devotion to landscape developed as a child reading adventure stories and histories that recorded folks doing on paper what largely is lost in the lives of the modern American: discovering vast, howling wildernesses. He was enraptured by the romance of geography and the mood of space.

How right and yet how surprising for me to consider America full of romance and mood. I fall into the spell—as he notes many writers do—of the magic of medieval Europe, of its henges and moors, its castles and lochs. But America is rich with its own witchery and lore. To that end, Anderson makes a point of collecting local ghost stories. Not only do they detail new, often private locations, but they poignantly display what he describes as the poetry of American emptiness—that loneliness that comes with night time walks in wide meadows and deep forests. The tellers of these tales, he says, are often more entertaining than the ghosts, themselves.

I have learned that author Linda Godfrey collected Wisconsin’s monster stories and is sharing them at the Neenah Library in a couple of weeks. My middle schoolers and I will be in the front row. How perfect an opportunity to experience local ghost stories with newly-opened minds. We will hear not only about UFO sightings and haunted locales, but we will hopefully see the landscape of our own state unfold ornately before us.

His presentation included layers of tales about a small settlement named Dog Town in Massachusetts. I suppose it would be rude for me to reproduce his notes, right? In brief, he showed pictures of the current location and told stories of the town from the 17th, 18th, 19th, and 20th centuries. The stories built up: what did happen, what happened in reaction to what happened, what happened on top of that, and then Anderson’s own jokey bits added on top of that—all of the area’s history of sadness, all of the magic of human involvement and connection, and all of the loneliness of the trees and boulders that carry centuries of secrets—these things together build landscape.

Landscape should be a more emotionally potent force in our stories than even our characters.

Now are we all in love? Because we should be. A Harvard-educated, National Book Award-winning author just shared brilliant stuff that will change our books forever, and he did it with generosity of spirit and maybe even a twinkle in his eye.

During Q & A time, an enthusiastic teen asked how in the world Anderson wrote in such varying voices. Particularly, Whales on Stilts contrasts with the sober tone of The Astonishing Life of Octavian Nothing. Anderson revealed that he actually wrote those books simultaneously. Researching his 18th century story thrust him deep into that odd, stylized, gracious tone that referred to breeches, not pants, and required specific buckles on each shoe. Giving himself a holiday, he created the Pals in Peril series. Taking three or four weeks to write Whales on Stilts, he got his irreverence out, and he was ready to revisit Octavian’s sobriety.

His books were piled for purchase in the children’s library, and I picked up both Octavian Nothing and the latest Pals in Peril. I stood between a group of four teens, each holding a copy of Feed, and an area teacher carrying two or three plastic bags bulging with books. I thought it was fantastic how he so clearly delights readers of all ages.




This is M.T. Anderson NOT in Sheboygan. I have no pictures of him in Sheboygan because I was a bit too shy. But look at the socks. And read his books and website. And fall in love as you should and must.





Tuesday, October 11, 2011

Poetry Workshop with Ellen Kort

On Saturday, October 8, I was sitting with three dozen poets listening to the great, gentle Ellen Kort share her wisdom,

Kort was Wisconsin's first poet laureate serving 2000-2004, with Denise Sweet following her from 2004-2008. An interesting bit of dark triva: Governor Scott Walker terminated the position of poet laureate in February of this year, ending the term of our third laureate, Bruce Dethlefsen. Dethlefsen, along with the Wisconsin Poet Laureate Commission, is seeking to sustain the role through non-profit support.

We didn't meditate on politics together, however; we jumped right into poetry exercises. Kort's first admonishment for us was to Love Ourselves in our poems. "Don't beat yourself up," she said, "no matter where you are."

Our first task, then, was to write a poem called "Autobiography." Her challenge was for us, along with being kind with ourselves, to write as fast as we could without thinking about what came out.

We shared the resulting "spillings" as we felt moved. Part of mine reads,

I am not what you think I am.
Wide eyes suggest a cartoon-watching
cocoa-puff munching, mall-loving, hair-curling--
Okay, I do curl my hair. My spirit curls
iron, though, ripped
with muscles, reps upon reps I heave,
working out with weights of patience,
of self-sacrifice
of watching others,
and of listening.
I am leathered skin, long exposed
I am feet crusted with mud
I am callouses
and I am sweat running down a ropish neck
I am the creases between eyebrows when no guiding star is found,
and I am the start of a smile
as an evening breeze startles the wanderer
with its cooling hand.

Sharing our spillings brought the group close--some stumbled as they read their scribbles, others read strong, tight pieces that felt fully-formed.

We were all encouraged to start with spills. That's how most of Korts poems begin, she confided. She said she thinks to herself, "Oh, I should write about that," and she spills. What a good reminder for us future NaNoers, yes? Just spill.

Next, we were encouraged to think about where we are in our family. She read her poems "Seeing Is Believing" and "Drumming," and then"First Ties: The Father in the Mirror" by Bill Meissner. Here is a portion of Meissner's beautifully captured image:

Nothing to a tie, he said.
For those few seconds, his big arms were my arms--
I watched his thick fingers
working the tie,
each time a little
too short or too long.
He leaned his face alongside mine,
And I smelled a sharp scent of Old Spice, heard the hiss of sighs
through his nose, like a car tire losing air,
as he focused on the broad, wrinkled pillar
that would not tie.
Arms that hadn't surrounded me for years
now wrapped me like ribbons. I couldn't pull away
from the rough kiss of whiskers
against my smooth cheek.

The last exercise was the most difficult for me to participate in, but the most enjoyable to listen to. Kort read three poems, each personifying an abstract noun. She had Commitment wearing sensible shoes; Pleasure was underestimated--laughing too loud and drinking too much; and Imagination--oh, what was she like? I think she wore yellow.

We were asked to choose an abstract noun and personify it, and boy, my brain just shut down. I tried giving Truth an irridescent coat that winked new shades as one walked near him. I let Criticism feel tired, wearing sweatpants, looking expectantly out the window for someone who never comes. I couldn't make it work. But my classmates! They blew me away! Modesty wore sweeping skirts and never asked questions, but a silver toe ring and an emerald pendant flashed at a careful watcher. Curiosity was a three-year-old, sleeping nightly on a soft pillow of no judgment. Betrayal met a girlfriend for coffee, warmed her into confiding, and then stabbed her friend's back while hugging her goodbye. Certainty mowed his yard at right angles and wakes late at night but won't talk about it. Contradiction was that uncle--not the favorite one--who started fights at family dinners. They were so fantastic. How I wish we could get a compilation of those poems--a little keepsake from sharing a bright blue October morning with some gifted writers.

Some last words of wisdom that Kort shared were
Don't justify what you write to yourself or to others.
Do not whine about not having time or energy.
Do not repeat a line at the end in attempt to add weight or significance. Let the verbs and nouns you've used throughout the poem do that work.
And do not undercut a fine poem with a last line of humor. Good funny poems are a joy; but tacking a joke on the end of serious poem rarely works.

What a morning of wisdom! Thank you so much, Ellen Kort, for passing your knowledge and experience on to us. And thank you to the FVUUF for hosting the workshop. It was a truly inspiring morning.

I'll end with a poem by Ellen Kort.

Argument

She didn't talk to him
for an entire day
lost herself in a book
to avoid looking at him
and when he asked why
she told him to leave her alone

He slammed the cupboard doors
flipped through the TV channels
looking for football wrestling
NASCAR He turned the volume up
hoping she'd come downstairs
so he could tell her
he was pissed really pissed

She took the dog for a walk
He fell asleep in the chair
She took a long hot bath
He smoked a cigarette
She made herself a salad
He friend a hamburger
They moved in and out
of the kitchen careful
not to brush against each other
She ate at the table a candle
burning in the center
He at in the living room
by the light of the television

And the anger was delicious